Cuba’s young people see little opportunity on island, want to leave
Miguel Hernandez kneels on the floor of his workspace at the Jose Marti Experimental Studio at the edge of the Avenida del Presidente, central Havana’s main tourist drag, spraying stencils of the Shell Oil logo onto his oil painting of an old-style diver.
“The oils come from my study of art history, and the logos are because I studied advertising,” said the 30-year-old art teacher. “Cuban art is apocalyptic: We gather up those parts of the outside world that wash up on our island, and combine them with our own island identity.”
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